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We've been recording Tiny Desk concerts for nearly a decade, and in that time, a few artists have come back for encores — folks like Wilco, Chris Thile and the inspiration for the series, Laura Gibson. One band, The Oh Hellos, came back after a year to favor us with a holiday set. But we've never, until now, asked anyone to return later the same day.

The Roots' Black Thought proved yesterday that eviscerating lyricism still matters in hip-hop when the rapper dropped a nonstop, awe-inspiring 10-minute freestyle on Funkmaster Flex's Hot 97 radio show.

Effortless storytelling is at the heart of This Is The Kit. And the stories the band's only permanent member, Kate Stables, weaves are profound but sweet with a tone that quietly reels you in.

In this session, you've got front-row seats to a mini concert by Combo Chimbita, who absolutely lit up the World Cafe with what they call "tropical futurism." What does that mean? You're about to hear it in action. But, just so you know what you're in for, Combo Chimbita uses cumbia as a building block but they get psychedelic, trippy and downright freaky, with an inventive combination of rhythms and sounds from Africa, the Caribbean and Latin America.

What do you get when you cross an Australian post-punk drummer with a lute player who is the descendant of Greek musical royalty? Easy: Today's guests Xylouris White!

Xylouris is George Xylouris, from a famed family of musicians based in a mountain shepherding village on the Greek island of Crete. George has been a professional musician since he was 12.

White is Jim White, an Australian post-punk drummer with a deft touch, able to go from thunderous to tender on a dime. Jim held it down in the instrumental trio Dirty Three, and has also backed Cat Power and PJ Harvey.

Put your love of perfection outside the office door and come in for some office fun. This collaboration between Philadelphia's Kurt Vile and Melbourne's Courtney Barnett is more about newfound friends poking jabs, goofing around and having fun with words than reaching any new musical heights.

Chris Dave possesses innumerable gifts as a drummer, but chief among them is the ability to make a groove just feel ... right. This isn't as simple or straightforward a feat as it sounds. And it can be a recipe for invisibility, at least among the general listening public.

Survey: Tell Us How You Listen To Music

Dec 7, 2017

NOTE: This survey has closed. Thanks to everyone who responded!

When we launched NPR Music ten years ago, our listening habits were totally different - digital music was still burgeoning, streaming wasn't the norm and physical CDs still dominated the market. Obviously, a lot has changed since 2007, and we're curious how you listen to music these days.

It will only take a few minutes, and your feedback is invaluable. Thanks!

Bobby Osborne is trying to find his way back to the lakeside home where he first heard "Rocky Top," the song that would define his career as one half of the Osborne Brothers, one of bluegrass' most popular and innovative groups.

There's a brilliant new instrumental project from violinist Andrew Bird. Echolocations: River takes its musical inspiration from landscapes and environments with distinctive acoustics.

Today we have a film of Andrew Bird performing under the Hyperion bridge in Los Angeles's Atwater Village. An earlier Echolocations project was recorded at the Coyote Gulch canyons of Utah in 2015. Andrew wrote us to explain how these compositions take shape.

Matisyahu and Common Kings will join us Live From Studio A during the Global Village

Based here in Central Ohio, these guys have a new release, "American Heir".

The CD release show will be taking place at Rumba Cafe the evening of the 8th.

Tune in to hear The Lost Revival play live from studio A, on 90.5 FM and HD WCBE Columbus, 106.3 FM Newark, online at wcbe.org and on Apple Music.

Luna On World Cafe

Dec 5, 2017

Around the time Luna announced it was breaking up back in 2004, lead singer Dean Wareham said, "This is what bands do." But you can bet any fan of Luna's dreamy, moody sound was secretly hoping they would undo it. And after about a decade, Luna did. (Or: undid.)

Richard Reed Parry plays to arenas full of fans as a member of the Grammy-winning band Arcade Fire, but he impressed listeners in 2014 with a more intimate record. Parry's Music For Heart And Breath featured compositions that asked some of the best musicians in contemporary classical music to use their own heartbeats and breathing to guide their performances.

The Ted Leo who showed up to perform at our office this fall was no stranger to NPR Music; in fact, he'd stood on that very spot a few years earlier, trading verses with Aimee Mann in their collaborative project The Both. But he did seem like a changed man.

Only Walter Martin would bring a barbershop quartet to the Tiny Desk. Best known as a singer and multi-instrumentalist with the band The Walkmen, Martin has spent his solo career making unabashedly joyful, sweetly innocent and playful music perfectly suited for quirky four-part harmonies. It works particularly well on the song with which he opens this performance, "I Went Alone On A Solo Australian Tour," a brilliant and comical call-and-response story-song about, well, going alone on a solo Australian tour.

The 2018 Grammy nominations are out. Rap and hip hop dominate. We talk about everything from classical to Albita’s Cuban big band sound to Jay-Z, who — with his album 4:44 — led all musicians with eight nominations.

This show airs Friday at 11 a.m. EST. 

Guests:

Dee Lockett, associate editor at Vulture. (@Dee_Lockett)

Jason Mraz: Choco-mole And Pie

Dec 2, 2017

Like many aspiring performers, Jason Mraz graduated from high school and moved to New York to study musical theatre. But, just a year later, he realized he wanted to follow a different path.

"I knew I wanted to drop out of school and pursue original music," Mraz told host Ophira Eisenberg, "so I needed to find somebody who agreed with me."

In this week’s Here & Now DJ Session, host Jeremy Hobson speaks with KCRW DJ José Galván (@dj_josegalvan), whose latest favorites include unlikely bilingual heartthrob Cuco, British art rockers Django Django and Trio Da Kali of southern Mali.

Claudio Roditi On Piano Jazz

Dec 2, 2017

Integrating both post-bop elements and Brazilian rhythmic concepts into his palette with ease, Claudio Roditi plays with power and lyricism. This versatility has kept the trumpeter and flugelhorn player in demand as a leader, studio musician and sideman.

Having made his way from Brazil to the New York jazz scene in the 1970s, he was Marian McPartland's guest for this 1996 Piano Jazz session. With McPartland at the piano, Gary Mazzaroppi on bass and Roditi on his horn, the three dish up "I Remember April" and "Speak Low."

For someone from my generation, which grew up with the sound, it is a complete joy to see younger artists embrace soul music in such creative ways. Equally thrilling is to witness the genre's influence in Latin America and how it has been interpreted by the region's vocalists, whose first language may not have been English.

At a meeting in Geneva today, the treaty organization that shook the music industry with new trade regulations on rosewood took formal action to clarify and potentially ease some of the regulations.

Rosewood is a prized "tonewood" used for musical instruments from guitars to clarinets and oboes.

The treaty cracked down on the material's international movements late last year to combat worldwide depletion of rosewood trees, driven by China's burgeoning demand for rosewood furniture.

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