Forget the ABCs or childhood friendships. Brooklyn band the Deedle Deedle Dees infuses its music with subjects as diverse as Gandhi's philosophy of nonviolence and the letters of John and Abigail Adams, coupled with catchy, sing-along choruses.
A five-star hotel in Afghanistan may seem a risky business proposition. But not to the Marriott chain, which is going to manage a six-story hotel under construction in Kabul. Part of the U.S. and NATO security bubble, it will likely draw foreign businesspeople hoping to sign reconstruction deals.
On Florida's Gulf coast Tuesday, there will be a celebrated homecoming. For a turtle. This is no ordinary turtle: Known as Johnny Vasco da Gama, after the 15th-century Portuguese explorer, it crossed the Atlantic twice — by sea and by air.
Johnny, as his human friends call him, is a critically endangered Kemp's ridley turtle. Only a few thousand of these sea-turtles exist, mostly in the Gulf of Mexico. Normally, they do not migrate across the Atlantic.
Libya's civil war toppled a dictator and put the country on a path to democracy, but many of the rebel fighters who helped create that change are still recovering from battle injuries. Spaulding Hospital in Salem, Massachusetts, near Boston, is treating about two dozen of them — the only hospital in the country providing this kind of care.
Handwritten signs in Arabic are hung in a physical therapy room at the hospital, where several Libyan patients are getting rehab for injuries to their shoulders, hands and arms.
Credit Courtesy of the University of Illinois Archives
1948 The Electronic Sackbut The history of touch technology begins with touch-sensitive music synthesizers. According to the Canada Science and Technology Museum, Hugh Le Caine's Electronic Sackbut, completed in 1948, is widely considered to be the first musical synthesizer. The Sackbut is played with the right hand on the keyboard and the left hand on control board above the keyboard. The right hand controls volume by applying more or less pressure on the keys, while the left hand controls four different sound texture options.
Though Annie Clark began as a member of Sufjan Stevens' touring band and The Polyphonic Spree, those experiences do little to explain the incredible things that happen on Strange Mercy, her third album under the moniker St. Vincent. As if unleashed from the constraints of her previous work, Clark straight-up shreds.