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Any Day Now

An even-handed look at gay adoption and Down Syndrome.

Any Day Now
Grade: B
Director: Travis Fine (The Space Between)
Screenplay: Fine, George Arthur Bloom
Cast: Alan Cumming, Garret Dillahunt
Rating: R
Runtime: 97 min.
by John DeSando

With ample opportunity to turn heavy-handed and sappy, Any Day Now is surprisingly authentic without jerking tears about a 15 year old Down-Syndrome boy being saved from institutions by a male couple.  The film does not turn on sentiment but rather on the weakness of the 1979 judicial system that might deny custody just because the parents are gay.

Rudy (Allan Cumming) is a drag queen, who wants to care for neighbor boy, Marco (Isaac Leyva), abandoned by druggie mom. Paul (Garret Dillahunt), an assistant district attorney, comes out to Rudy and falls in love with him. Both men love Marco, yet they struggle to convince the court that because a couple is gay, it should not be denied custody.

It is the ‘70’s after all, and being gay and a drag queen can be a real drag for the authorities. To the film’s credit, even the tough-minded judges can have moments of sympathy.  Minor players like the prosecuting attorney go beyond stereotype, and the ending goes against expectations, a real plus for a film that could have followed the playbook for tears and happiness.

An audience favorite at Tribeca and Chicago film fests and winner of the Golden Space Needle award at Seattle, Any Day Now, inspired by a true event, delivers an honest conflict with an honest conclusion.  I’ll take that any day now.

John DeSando co-hosts WCBE 90.5’s It’s Movie Time and Cinema Classics, which can be heard streaming and on-demand at WCBE.org.
He also appears on Fox 28’s Man Panel.
Contact him at JDeSando@Columbus.rr.com

John DeSando holds a BA from Georgetown University and a Ph.D. in English from The University of Arizona. He served several universities as a professor, dean, and academic vice president. He has been producing and broadcasting as a film critic on It’s Movie Time and Cinema Classics for more than two decades. DeSando received the Los Angeles Press Club's first-place honors for national entertainment journalism.