Fresh Air

James Bopp is the lawyer who first represented Citizens United in the case that ended up in the Supreme Court, which ruled that corporations and unions could give money to political committees active in election campaigns. That decision and subsequent lower court decisions have led to SuperPACs, which allow corporations, unions and individuals to make unlimited contributions, pool them together, and use the money for political campaigns.

Transcript

TERRY GROSS, HOST:

This is FRESH AIR. I'm Terry Gross. SuperPACs have led to what was described in the New York Times yesterday as a new breed of super-donor. About two dozen individuals, couples or corporations have given a million dollars or more this year to Republican superPACs that have poured that money directly into this year's presidential campaign.

Blues and jazz singer Catherine Russell says she frequently listens to the radio while washing dishes. One night, she was by the sink listening to a Chick Webb compilation when Ella Fitzgerald's "Under the Spell of the Blues" came on. The song struck her.

"The lyric came on, and it was just a beautiful story, and then I [was] compelled to learn the tune, and then I learned about everything surrounding it," she says.

The song "I Got You Babe," on Bahamas' new album, Barchords, is obviously not Sonny and Cher's "I Got You Babe." This version is an original song the Canadian singer-songwriter Afie Jurvanen, who records under the stage name Bahamas, has written about holding and losing someone.

Through his many New Yorker covers, Barry Blitt has become one of the pre-eminent satirical cartoonists of America's recent presidents. He is probably best known for his controversial 2008 cover of Michelle and Barack Obama, dressed as a Muslim and a militant with an AK-47, fist-bumping in the Oval Office.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:

This interview was originally broadcast on April 14, 2011. Michelle Williams just received a Best Actress nomination for her performance in My Week With Marilyn.

The coming-home genre is so rife with stock ingredients that first I'd like to tell you what Liza Johnson's very fine drama Return doesn't do. The camera doesn't move in on returning-vet Kelli, played by Linda Cardellini, as the sound of battle rises and she's back in her head on the front lines. The film doesn't give you what I call the "psychodrama striptease," in which a past trauma is revealed piece by piece until you're finally, at the end, shown the essential bit.

Stephen Sondheim's 1981 musical Merrily We Roll Along is in the middle of a two-week run at the New York City Center as part of an Encores! Production. Portions of the interview running today were originally broadcast on April 21, 2010 and Oct. 28, 2010.

The stories in Nathan Englander's new collection are based largely on his experiences growing up as a modern Orthodox Jew with an overprotective mother.

In What We Talk About When We Talk About Anne Frank, Englander writes about his own faith — and what it means to be Jewish — in stories that explore religious tension, Israeli-American relations and the Holocaust.

The Brits: You've got to hand it to them. The Empire may be long gone, but they still reign supreme when it comes to effortlessly exuding mordant wit. For anyone who savors the acerbic literary likes of Evelyn Waugh or the Amises, father and son, Helen Simpson is just the ticket.

Four years after Pulitzer Prize-winning writer Tim Weiner published Legacy of Ashes, his detailed history of the CIA, he received a call from a lawyer in Washington, D.C.

"He said, 'I've just gotten my hands on a Freedom of Information Act request that's 26 years old for [FBI Director] J. Edgar Hoover's intelligence files. Would you like them?' " Weiner tells Fresh Air's Terry Gross. "And after a stunned silence, I said, 'Yes, yes.' "

Actress Viola Davis has been nominated for an Academy Award for her portrayal of the maid Aibileen in the film The Help, set in 1960s Mississippi. But not everyone has applauded the film, which has been criticized for its portrayal of black domestic servants in the civil rights era.

This interview was originally broadcast on June 14, 2007. You can listen to the complete interview with Jemaine Clement and Bret McKenzie here.

Jemaine Clement and Bret McKenzie, aka the folk-parody band Flight of the Conchords, hail from New Zealand. They were named best alternative-comedy act at the 2005 U.S. Comedy Arts Festival.

This interview was originally broadcast on August 1, 2011. The Interrupters will be broadcast on Frontline on February 14, 2012.

You'd think that, by now, the news that Americans are spoiling their children would be as attention-getting as the fabled headline, "dog bites man," but, apparently, we never weary of hearing about how bad we're doing as parents. Last year, it was the Tiger Mom; this year, a hot new book called Bringing Up Bebe, tells us that the French have us beat by an indifferent shrug when it comes to the art of raising independent kids.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week: