Annalisa Quinn
Annalisa Quinn is a contributing writer, reporter, and literary critic for NPR. She created NPR's Book News column and covers literature and culture for NPR.
Quinn studied English and Classics at Georgetown University and holds an M.Phil in Classical Greek from the University of Cambridge, where she was a Cambridge Trust scholar.
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Other journalists have previously reported many of the serious claims presented in Vicky Ward's book; her own yields generally feel meager, wrapping even the smallest scoops in a fog of insinuation.
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The former presidential candidate's latest book is just what you might expect from this genre: His platforms are presented but not interrogated — and there is little self-reflection.
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In her memoir, the porn star lures readers with salacious details of her alleged time with President Trump, then insists that those "two to three minutes" are the least interesting part of her life.
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Matt Fraction and Christian Ward's splendidly trippy, genderbent retelling of the Odyssey sets the story in space, as warlike Odyssia, "witchjack and wanderer" winds her way home to far Ithicaa.
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The narrator of Zadie Smith's new novel is never named — fitting, for a book about the illusions of identity and the ways people try and fail to know and define themselves.
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Anne Carson's unconventional collection of 22 chapbooks can be read in any order, and covers everything from Helen of Troy to H.G. Wells — but mostly, it's about women taking back their own stories.
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Fran Wilde built a glorious world of living bone towers and wing-gliding people in last year's Updraft. Her new Cloudbound has stunning skyscapes but lacks some of the first book's emotional heft.
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Luke Dittrich's new book is part pop science book, part medical ethics essay and part family history: His grandfather was the surgeon who originally cut into the brain of the celebrated Patient H.M.
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Talese had told The Washington Post he wouldn't promote his new nonfiction book, The Voyeur's Motel, after the paper found flaws in its story. But now he says the book will go ahead as planned.
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The Toast — the funny, literary feminist website, gleeful kneecapper of high culture, center of cheerful misandry and habitat of the courteous commenter — is closing. We have an appreciation.