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Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career — hired to write for every small paper that ever folded in Washington, just as it was about to collapse — saw that jinx broken in 1984 when he came to NPR.

For more than three decades, Mondello has reviewed movies and covered the arts for NPR, seeing at least 300 films annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for USA Today, The Washington Post, Preservation Magazine, and other publications, and has appeared as an arts commentator on commercial and public television stations. He spent 25 years reviewing live theater for Washington City Paper, DC's leading alternative weekly, and to this day, he remains enamored of the stage.

Before becoming a professional critic, Mondello learned the ins and outs of the film industry by heading the public relations department for a chain of movie theaters, and he reveled in film history as advertising director for an independent repertory theater.

Asked what NPR pieces he's proudest of, he points to an April Fool's prank in which he invented a remake of Citizen Kane, commentaries on silent films — a bit of a trick on radio — and cultural features he's produced from Argentina, where he and his husband have a second home.

An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says, "as most people see in a lifetime."

A long time ago in a galaxy far, far away — a slightly longer time ago, actually, than usual — there's a little girl named Jyn. She has a dad who was an important cog in the Empire's war machine until he went on the lam. As Rogue One starts, his Imperial overlord (Ben Mendelsohn, sneering up a dust storm) has caught up with him, and it's Jyn who must go on the lam.

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We keep hearing that this election is like no other, but when I watch old movies, I often hear echoes of what's going on in the campaign.

The guy who opines in A Face in the Crowd (1957), say, that in the then-new age of television, "instead of long-winded public debates, people want capsule slogans."

If you're looking for evidence of Andrzej Wajda's filmmaking smarts, it's right there in his first, black-and-white movie, made in 1955. A trench-coated young man races through Warsaw at the height of World War II, past corpses dangling from streetlights, pursued by Nazi soldiers who chase him into a building and up a central staircase.

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A forgetful fish named Dory turned out to be this summer's big movie star.

(SOUNDBITE OF FILM, "FINDING NEMO")

ELLEN DEGENERES: (As Dory) Just keep swimming, swimming, swimming. What do we do? We swim, swim.

We don't call Hollywood a "Dream Factory" for nothing. Have a vision of the sort of place you'd like to live? Tinseltown can bring it to life, whether you're thinking along the lines of Walt Disney's Main Street, Andy Hardy's Carvel, Idaho, or the "Somewhere That's Green" envisioned by skid-row resident Audrey in the satirical musical Little Shop of Horrors:

This piece was inspired by NPR's summer recommendation series, Read, Watch, Binge!

Over the next two weeks, Republicans and Democrats will gather in Cleveland and Philadelphia for a ritual that has become almost entirely ceremonial: Each party will "select" pre-selected presidential candidates.

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Robert Cenedella, the titular painter in the briskly entertaining new documentary Art Bastard, is a New York artist who has spent years battling the New York art establishment. To be clear, he is a bastard, in that he was born to parents who weren't married. But also in that he's an inveterate troublemaker — a mocker of other artists — who can be a thorn in the side of even people who are trying to help him.

Dating is plenty complicated as things stand. But suppose romance came with deadlines, and a penalty for not meeting them. That's the dilemma Colin Farrell faces in filmmaker Yorgos Lanthimos' latest weirdness. The maker of Dogtooth, which takes home schooling to comically absurd extremes, and Alps, which does much the same for the process of grieving, is tackling notions of romance in The Lobster, and let's just say that rom-coms don't come much stranger.

Updated at 3:30 p.m. ET on Friday with a response from AMC.

Texting at the movies is usually annoying and usually banned. But the CEO of the giant movie theater chain AMC says maybe it's time to rethink that.

AMC Entertainment CEO Adam Aron floated a trial balloon in an interview with Variety at CinemaCon, a film industry trade convention, saying the chain has considered adding showings where using your cellphone will be allowed.

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Actress Patty Duke died early this morning. She was 69 years old. She played an adolescent Helen Keller in "The Miracle Worker" and played identical cousins in her own TV sitcom in the early 1960s. Here's NPR's Bob Mondello.

This week the world's been treated to a commentary on immigration reform from a surprising source: William Shakespeare.

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Marvel's new superhero movie Deadpool stars Ryan Reynolds, a fact that, up to now, would likely not have been considered much of a selling point. This is not, after all, Reynolds' first stint as a superhero. There was that catastrophic Green Lantern movie, his animated supersnail in Turbo, and he played this character very briefly in what's arguably the least of the X-Men movies.

The new movie, Rams, has absolutely nothing to do with Peyton Manning. It's a story from Iceland that involves sheep, snow, a herd-afflicting virus called scrapie and sufficient sibling rivalry to power a Greek tragedy.

Biggest, fastest, highest, most — it's hard to talk about The Force Awakens without superlatives. No question the Force is strong with this one at the box office. But would it surprise you to learn that despite all the records it's been setting, The Force Awakens went into this holiday weekend as only the third biggest Star Wars movie in terms of attendance? Or as cute as that adorable soccer ball with personality BB-8 is, just as many millions of people have gone "awwwww" at the puppies in 101 Dalmatians?

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Alan Bennett (Alex Jennings) and Miss Shepherd (Maggie Smith) are both forceful personalities, but The Lady in the Van excels at bringing out undercurrents of frailty.
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Last week, James Bond, this week James White — proof, should any be required, that fall movies come in all shapes and sizes.

Filmmaker Josh Mond, making his feature directing debut after producing a slew of intriguing indies, brings intensity to an intimate domestic drama about a feckless New York City slacker who appears to have a fight-or-flight approach to a familial crisis.

Spectre opens in Mexico City — a Day of the Dead festival in full swing — streets crowded with partying skeletons, and director Sam Mendes celebrating the dead in his own way with a nifty Orson Welles tribute: A Touch of Evil-style tracking shot that has no obvious edits for at least five minutes as it follows Bond (Daniel Craig) and a gorgeous brunette (Stephanie Sigman) from the costumed parade route into a hotel, up in a crowded elevator to a well-appointed room where she settles seductively on a bed — only to watch him zip out onto a roof ledge with a quick shirt cuff

China's Cultural Revolution was a period of political turmoil, launched by Mao Zedong in 1966, a dark decade that many in Chinese society would prefer to forget. So it says something that Zhang Yimou's new drama Coming Home, which is set during those years, has been a big success in China.

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The Mattress Factory hasn't been an actual mattress factory for a while now. Built on a hillside in the Central Northside neighborhood of Pittsburgh, back at the turn of the last century, it was used as a warehouse and showroom for Stearns & Foster until the 1960s.

Today, it's one of the country's more unusual art museums. Filled not with paintings or sculptures — and certainly not with mattresses — it is now, four stories of ... well, of "stories" in a way. Installations that take you places you don't expect to go in an art museum.

Some movie titles tell you exactly what the movie's going to be about. Others, not so much.

The new documentary Do I Sound Gay? falls firmly into the first category. (The comedy Tangerine, which has nothing to do with citrus, falls just as firmly into the latter; more about it in a moment.)

But first, the obvious question: Do I sound gay? I mean, you hear me on the radio all the time. (Or, if you don't, you can also hear me in the audio link above.) So really, do I?

With Spy topping Hollywood's box-office charts this weekend, Melissa McCarthy becomes the latest woman to head a major box-office hit in 2015. And while that merely puts her in good company this year, it's hardly been common in the past.

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