Street life in Istanbul is more Dickens and less Slumdog. The search for mom goes on.
Paper Lives
“They say that abandonment is a wound that never heals. I say only that an abandoned child never forgets.” Mario Balotelli
Netflix takes us to the streets of Istanbul, Struggle Alley (!) as they call the area, in a neo-realist melodrama, Paper Lives, about child abandonment and love that knows no bounds. The paradox comes true as Mehmet (Cagatay Ulusoy), a solid waste warehouse owner and dumpster diver meets a homeless 9-year-old, Ali, and nurtures him with an intensity as if he were the boy himself.
Although Mehmet says he’s concerned to find Ali’s mother, he enfolds him like his own child with the self-knowledge that Mehmet himself had been abandoned. Although the psycho trauma of those involved in abandonment is apparent from the beginning, director Can Ulkay intersperses the claustrophobic with images of freedom and joy, such as Mehmet teaching Ali to swim or the two racing the streets pulling carts and picking up discarded paper and bottles.
Paper Lives has little of Slumdog Millionaire’s romance and none of Annie’s unreal color, but these street urchin stories tug at the heart nonetheless. Around the world, the search of mom is a common theme, even in our superhero fantasies.
Although waste picking may seem about as darkly realistic as city slums could get, Mehmet’s exuberance and his love for Ali make it seem like a holiday. However, spectral images of mothers and Ali’s urge to return to his mother keep a tension that mitigates the boredom of their work.
As if being motherless were not enough, the film shows Mehmet suffering from a debilitating kidney problem and Ali hallucinating about photos where he mistakenly sees himself with his mother when Mehmet is the subject. The film has complicating layers such as the confusion of Mehmet as Ali that enhance the figurative embodiment of the two being one and the same. As a study in Turkish slums, Paper Lives is stark if not a bit over the top; as a testimony to the importance of stable family life, it soars.
Although Paper Lives sounds like a downer, it really isn’t. It does emphasize the importance of mother-child relationships and highlights the necessity of the active, imaginative life and the lifelong connection of family. This is not to say Paper Lives is a family film; rather it is a checkered street story of the unalterable bond between mother and child. Dickens would have liked the premise.
Paper Lives
Director: Can Ulkay
Screenplay: Ercan Mehmet Erdem
Cast: Cagatay Ulusoy, Emir Ali Gogrul
Run Time: 1h 36m
Rating: TV-MA
John DeSando, a Los Angeles Press Club first-place winner for National Entertainment Journalism, hosts WCBE’s It’s Movie Time and co-hosts Cinema Classics. Contact him at JohnDeSando62@gmail.com
