Fresh Air

British actor Robert Pattinson can't tell you how many times people have said to him: "Hey man ... you know what you'd be great at playing? An English prince."

But that's not really his thing.

"I think when you first start, if you're tall and English and have kind of floppy hair, in England that is the box that you're put in," he says. "But I like movies because of Pacino, basically. I didn't grow up watching period dramas and being like, 'That's what I want to do!' "

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

The emotionally turbulent drama Waves revolves around an African American family living in South Florida, and I mean "revolves" quite literally. In an early scene, the camera swivels a full 360 degrees around the inside of a car, as a teenager named Tyler Williams and his girlfriend, Alexis, drive along the oceanfront.

Actor Reese Witherspoon became famous in her 20s after starring in films like Election and Legally Blonde, but by the time she entered her 30s, the film landscape had shifted. DVD sales had shrunk and smaller, female-centered movies were in short supply. It was nearly impossible to find good leading roles for women.

Witherspoon began asking different movie studios what projects they were developing for women. "With the exclusion of one studio, everybody said 'Nothing. Nothing with a female lead,' " she says.

Judd Apatow was a teenager when he first "met" comic Garry Shandling in a phone interview for his high school radio show. Years later, their paths intersected again when Shandling, who was hosting the Grammy Awards, hired Apatow to write jokes for him.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

As a black gay kid growing up in Texas in the 1990s, poet Saeed Jones remembers getting negative messages about his identity from every aspect of his life. It was around the time of Matthew Shepard's murder in Wyoming, and Jones felt alone and unsafe.

"I was seeing these cautionary tales connected to identity," he says. "It was so clear that it was perilous to be a black gay boy in America."

Our ears are complicated, delicate instruments that largely evolved in far quieter times than the age we currently inhabit — an early world without rock concerts, loud restaurants, power tools and earbuds.

Writer David Owen describes our current age as a "deafening" one, and in his new book, Volume Control, he explains how the loud noises we live with are harming our ears.

Editor's note: This interview mentions domestic violence and suicide.

Singer-songwriter Allison Moorer was 14 years old when her father shot and killed her mother — and then himself. Moorer and her older sister, singer Shelby Lynne, were left to live with their aunt and uncle.

Martin Scorsese has made so many terrific crime pictures that you would be forgiven for doubting whether he had another one in him. The great surprise of his haunting and elegiac new movie, The Irishman, is that it doesn't play like a retread so much as a reckoning.

Editor's note: This interview contains a racial slur.

Sam Esmail, the creator, lead writer and director of the TV series Mr. Robot, has always identified with computer programming and hacker culture — in part because of his experiences with social anxiety.

In college, he shied away from parties and instead took refuge in the computer lab. It felt safer to talk to people online than in person, Esmail says. But working in the computer lab sometimes created problems; at one point, he was put on academic probation for hacking.

Spy stories vary hugely in their respect for the real world. James Bond movies are timelessly cartoonish, with villains who make their headquarters inside disused volcanoes.

Ever since childhood, author Kevin Wilson has lived with disturbing images that flash through his mind without warning.

"I've always had this kind of agitation and looping thoughts and small tics," he says. "Falling off of tall buildings, getting stabbed, catching on fire — they were these just quick, kind of violent bursts in my head."

Not that Wilson would ever harm anyone else — the harm in these quick, intrusive thoughts was strictly internal. The images fed off of his own anxiety, and left him feeling terrified.