Tom Moon
Tom Moon has been writing about pop, rock, jazz, blues, hip-hop and the music of the world since 1983.
He is the author of the New York Times bestseller 1000 Recordings To Hear Before You Die (Workman Publishing), and a contributor to other books including The Final Four of Everything.
A saxophonist whose professional credits include stints on cruise ships and several tours with the Maynard Ferguson orchestra, Moon served as music critic at the Philadelphia Inquirer from 1988 until 2004. His work has appeared in Rolling Stone, GQ, Blender, Spin, Vibe, Harp and other publications, and has won several awards, including two ASCAP-Deems Taylor Music Journalism awards. He has contributed to NPR's All Things Considered since 1996.
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On the 50th anniversary of the band's landmark album Green River, we dig into how the band formulated its singular sound, its legacy and how Creedence's music still resonates today.
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Thom Yorke has always had a dread of technology. But the Radiohead frontman's latest album, ANIMA, explores that dread with the help of technology.
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The legendary Brazilian inverted the cacophony of samba, creating a worldwide sensation, forever influencing the sound of an entire country.
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The 50th anniversary Jazz Fest: The New Orleans Jazz & Heritage Festival box set, out now, focuses on jazz legends and rising stars from the region.
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Bob Dylan's Rolling Thunder Revue occupies a mythic place in the history of rock tours. Stream a 10-track sampler from the 14-disc box set.
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Sean Lennon and Primus' Les Claypool explore a surreal intersection on South of Reality, where the fitful upheavals of progressive rock collide with soaring, blissed-out refrains.
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Drummer and composer Antonio Sanchez's album, Lines In The Sand, is a cinematic homage to the journeys of migrants heading to the U.S. border. It's a formidable, epic series of compositions.
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'Piano & a Microphone 1983', a new release from Prince's vault, gives fans a look at his creative process.
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Kadhja Bonet grew up in a family surrounded by music — she learned to play the violin and the viola, studied music theory, but then pursued a degree in film. After graduating, she dove back into music. Her sophomore album, Childqueen shows Bonet's idiosyncratic talent.
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Both Sides Of The Sky culls music from sessions recorded after 1968's Electric Ladyland.