“Think very seriously about whether living in the past is worth it.” Dr. Cole (Morgan Freeman)
Anyone who has ever lost a close relative or friend can identify immediately the signs of sorrow, be it enhanced by post-traumatic syndrome disorder or just monumental grief. Throw in some gallows humor, and you have an intellectually-rich and entertaining experience.
Merit (Sonequa Martin-Green), an ex-GI out of Afghanistan, needs to heed the doctor’s advice, for remembrance of her best friend, Zoe (Natalie Morales), from that war haunts her constantly, therefore, the title, My Dead Friend Zoe. The film is a testimony to first-rate filmmaking with a topic that sometimes leads to dark comedy and at others deeply-felt universal angst.
The humor comes mostly from Zoe, often in scenes where she appears only to Merit with gallows humor that might be merited from a dead vet. When she calls Merit’s court-ordered group therapy “kumbaya” nonsense and requests watching M*A*S*H again but not as a drinking game, writer/director Kyle Hausmann Stokes (who partially cites his own experience) and co-writer A.J. Bermudez emphasize the personal therapy Zoe applies through sarcasm and disrespect, a regimen Merit accepts no more than therapy and the doctor’s wisdom.
A change agent is Merit’s Vietnam vet uncle Dale (Ed Harris), a no-nonsense, retired-Lt.-Colonel also on the downslide from early-onset Alzheimer’s disease. Both need each other to become whole, but this change does not happen easily or early. The slow pace of the film matches the slow pace of both heroes’ rehab.
Like his broken birdfeeder and the war machines she repaired in the service, rehab is the dominant motif, where even the minor characters, like Merit’s potential love interest, Alex (Utkarsh Ambudkar), who discovers her amid the restrictive social world of his family-owned retirement home. While her family’s lake house in Oregon is the perfect place Zoe characterizes as starter for a horror film, it turns out to be a heavenly spot to grow, sans the distractions of modern displacements.
My Dead Friend Zoe is an enjoyable start to the post-Oscars season—let’s hope for more elegant small films like it in the next few months.
My Dead Friend Zoe
Director: Kyle Hausmann Stokes
Screenplay: Stokes, A.J. Bermudez (iCON)
Cast: Sonequa Martin-Green (Space Jam: A New Legacy), Ed Harris (Pollock)
Rating: R
Length: 1h 43m
John DeSando, a Los Angeles Press Club first-place winner for National Entertainment Journalism, hosts NPR’s It’s Movie Time and Cinema Classics as well as podcasts Back Talk and Double Take (recently listed by Feedspot as two of the ten best NPR Movie Podcasts) out of WCBE 90.5 FM, Columbus, Ohio. Contact him at JohnDeSando52@gmail.com