Gene Demby

There was perhaps no movie more buzzed-about coming out of the Sundance Film Festival in January than Nate Parker's directorial debut, The Birth of A Nation, a retelling of Nat Turner's 19th century rebellion of enslaved people in Virginia.

One of the most surprising stories of the Olympics, which end on Sunday, was the unseeded Monica Puig's improbable march to the gold medal in women's singles tennis. Puig's win captured Puerto Rico's first-ever gold medal in the Olympics and set off massive celebrations across the island. It was a big-ass deal.

Why aren't more of my white friends on Facebook talking about this stuff?

On the final night of the Republican National Convention last month, as Donald Trump formally accepted his party's nomination for president, my Code Switch co-host Shereen Marisol Meraji fired off a tweet about how unnerved she was watching Trump's address, with its angry denunciations of Muslims and Mexican immigrants.

"This speech is difficult to listen to as a Latina and an Iranian," she wrote. "So much fear-mongering."

We've spent a lot of time recently thinking about the idea of whiteness — as a political identity, as a foundational dynamic in our politics, and the ways we talk (or don't talk)

One of the most notorious, oft-watched moments in the O.J. Simpson murder case was his nationally televised slow-speed escape from police on the freeways of Los Angeles in a white Ford Bronco. It's a testament to Ezra Edelman's riveting, unsettling five-part ESPN documentary O.J.: Made In America that the filmmaker finds a new lens through which to view it: the real-time collision of a city's sordid racial history with one black celebrity's seeming lifelong project to sidestep the tidal forces of race in America.

The death of Muhammad Ali — one of the world's greatest boxers — has come with a wave of tributes and memorials. We've been taken back to his most triumphant fights and were reminded of just how handsome he was. (I mean, did we ever really forget?)

At long last — the first episode of the Code Switch podcast! We decided to start off with a question we've been fixated on over the past few months: Why is it so hard to talk about whiteness?

Ahead of our forthcoming podcast, I've been heads-down in some reading and interviews about the way we talk about, well, white people. Whiteness has always been a central dynamic of American cultural and political life, though we don't tend to talk about it as such.

On Friday night, I finally got to see Hamilton, the critically acclaimed musical I've been surprisingly obsessed with since Frannie Kelley's glowing write-up of the cast album last fall.

It's been only a year and a half since the social protest movement around police violence commonly referred to as Black Lives Matter emerged as a major political force.

Much of this movement's momentum-building and organizing happened on Twitter, and a fascinating new study by media scholars Charlton McIlwain, Deen Freelon and Meredith Clark mapped out how it happened and who drove.

You may have read something like this over the past few weeks, in the run-up to this year's hotly contested Academy Awards ceremony:

"The fact that there is an absence of African-American nominees at the awards this year is something I'm less concerned about than how that reflects on what's happening within the industry," [the film producer Preston Holmes told a reporter].

"We need more opportunities for African-American filmmakers and crafts people. There needs to be more of an African-American presence in the various unions and guilds."

This summer, football players at Northwestern University came very close to successfully forming a union — not to demand that they be paid, but to demand better scholarships and safety protocols. Had their bid succeeded, it might have changed college athletics — and, indeed, higher education — in some fundamental ways.

A few years ago, a good friend and I were walking near downtown Philadelphia, not far from my old elementary school, Thomas C. Durham, on 16th and Lombard. The school was built on the edge of a black neighborhood in South Philly in the early 1900s, and its design earned it a spot on the National Register of Historic Places when I was in the third grade. I nudged my friend to take a quick detour with me.

Last week, the Internet exploded after an episode of the WTF! Podcast with Marc Maron went online. The guest was the comedian Wyatt Cenac, who talked about being a writer and correspondent on The Daily Show for several years. He recalled getting into a heated argument with Jon Stewart over the host's impression of Herman Cain, which Cenac had found troubling:

In his column this week, Charles Blow of The New York Times broke down the difference between "bikers" and "thugs" in the wake of the deadly biker gang shootout in Waco, Texas:

Despite the fiery, complicated past of the 6200 block of Osage Avenue in West Philadelphia, Gerald Renfrow is bullish on its future.

He's one to know; he has lived here forever. His parents bought one of the bigger houses on the corner of 62nd and Osage Avenue and he grew up there. When it was time for him to buy his own home, he landed just up the block and raised his own kids there.

Talk to some of the folks who lived through the bombing of 62nd and Osage Avenue in West Philadelphia 30 years ago, and you'll notice that they refer to the event by its full date. May 13, 1985.

That's how Gerald Renfrow refers to it when we talk about the inferno. His house is about 30 yards from the compound on which the bomb was dropped — practically ground zero. He'd been living there since long before the bombing, and now he's the block captain, trying to hold on to the home where he grew up and raised his own family.

New York City's public school system is vast, with more than a million students spread across thousands of schools. And like the city itself, it's remarkably diverse — about 15 percent Asian, just under 30 percent black, about 40 percent Latino, and about 15 percent white, with all sorts of finer shadings of ethnicity, nationality and language in that mix.

Even before the unrest in Ferguson, Mo., or the Eric Garner incident in New York City last summer, Charles Ramsey, Philadelphia's police commissioner, called on the federal government to look into how the officers in his department used force, and how their use of force might contribute to the department's often strained relationship with the city's residents.

Updated on Feb. 4 at 12:30 p.m. ET: The board of directors for the Howard University Middle School of Mathematics and Science issued a statement on the dismissal of three social studies teachers, indicating that the school is governed by an independent nonprofit organization and regulated by the D.C. Charter School Board. Its also confirms that three teachers resigned from the university effective Jan. 27. From the statement:

By now, you've surely seen Jonathan Chait's sprawling takedown of what he describes as a dangerous resurgence of political correctness in the 21st century. In his telling, a "PC culture" that flourished on college campuses in the '90s is back, stronger than ever thanks to Twitter and social media, and it's been crippling political discourse — and maybe even democracy itself.

At the end of Selma, the new movie about a pivotal campaign in the Civil Rights Movement, Rev. Martin Luther King Jr. (played by David Oyelowo) rises to address a crowd in front of a courthouse.

It's a recreation of the moment in which King gave one of his most well-known speeches: "How Long? Not Long." You know the one: "The moral arc of the universe is long, but it bends toward justice."

But as the scene goes on, none of the actual language from that speech shows up.

It's Halloween — a time for Frankenstein monsters and vampires and werewolves. But many of us have our own monsters from different cultures, and when we threw out a call to our readers asking what ghost stories and folktales they grew up with in their own traditions, we got back stories of creatures stalking the shadows of Latin American hallways and vengeful demons from South Asia with backwards feet. (And that's before we get to the were-hyenas and the infernal bathroom stalls.) Below are some of the best we've found or that were told to us from Code Switch readers.

Editor's Note: In an earlier version of this story, we had two videos of encounters with the police. They contained graphic language and violence, so we've removed them from the story. If you still want to see them, we've included links.

There's a common argument around Muslim extremism that calls for moderate Muslims to denounce and condemn radical adherents of Islam. Many folks push back on that idea by pointing out that Islam isn't a monolith, that there are well north of a billion Muslims in the world, and that it's wrong to conflate the small number of dangerous radicals with everyone who belongs to the faith.

Those very tensions are playing out right now in the Somali immigrant communities of Minneapolis and St. Paul.

Over the past week, Adrian Peterson, the Minnesota Vikings' all-world running back and one of the NFL's biggest stars, has become the face of corporal punishment in America. Peterson turned himself in to police over the weekend on charges of child abuse after he allegedly hit his son with a switch that left welts on his body.

Mary Sue Rich finally had enough.

The council member from Ocala, Fla., was tired of seeing the young people in her town wearing their pants low and sagging, and successfully pushed to prohibit the style on city-owned property. It became law in July. Violators face a $500 fine or up to six months in jail.

Etefia Umana says that Ferguson, Mo., is in some ways a media fiction.

We're sitting in the offices of Better Family Life, an organization that provides social services to people in the area. Umana chairs its board and lives in Ferguson.