Listen

Linda Holmes

Linda Holmes is a pop culture correspondent for NPR and the host of Pop Culture Happy Hour. She began her professional life as an attorney. In time, however, her affection for writing, popular culture, and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living room space to DVD sets of The Wire, and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Her first novel, Evvie Drake Starts Over, will be published in the summer of 2019.

It is hopefully clear that a review and discussion of the Succession season two finale is not suitable for people who do not want to be spoiled regarding the Succession season two finale. If it is not clear: You will know what happened on this episode by the time you're finished reading this piece. Choose wisely.

If you predicted that creator-actor Phoebe Waller-Bridge would be a big winner going into Sunday night's Emmy Awards, you might just have won your Emmys pool. And if you were predicting a giant final haul of Game of Thrones trophies as that show leaves us for good, you were, well, sort of right.

The Muppet Movie is 40 now. And I could tell you that this makes me feel old, but it doesn't. It oddly makes me feel just right. The music has been with me from when I was little until right now, and I can still listen to it and discover new things. How could you not? It has "Rainbow Connection" in it.

Maybe you have opera jokes. We did.

When the Pop Culture Happy Hour team planned a trip to the Metropolitan Opera in New York, we grudgingly served up to each other our dusty old gags about Bugs Bunny and helmets with horns and Pretty Woman and ... have we left anything out?

We chose to see Rigoletto, precisely because it's a classic. It's real, hardcore actual opera. We didn't want to be reluctant, or to insist that opera come meet us where we were. We wanted to dive in. All jokes aside, we really did want the opera experience.

The 17th season of Project Runway concluded Thursday night, handing the win to Sebastian Grey.

It was the show's first run without Heidi Klum and Tim Gunn, who reigned while Runway ran on Bravo and then on Lifetime. Back on Bravo now, it features model Karlie Kloss in the host role and designer (and former Project Runway winner) Christian Siriano in the mentor role.

Broadway has changed a lot in the last few years, and in an important way: We've cleared the period of time when everything seemed to be about Hamilton, and then about post-Hamilton, and then about whether there could ever be another Hamilton. (There won't.) Broadway had another big year for box office, it's learning how to use social media to connect with younger audiences — whatever the next phase is, it seems that it's started.

Oh, hello, it's a romantic comedy!

"Bringing a unicorn here is not an easy or inexpensive endeavor. You have to be the right sort of girl."

The right sort of girl.

Old stuff spoiler alert: This piece discusses the plot of Jordan Peele's Get Out and the plots of a handful of old Twilight Zone episodes, but doesn't spoil episodes from the new run that debuts Monday.

What is the scariest thing you can imagine?

It turns out the Oscars telecast doesn't need a host.

As turn-of-the-millennium YA soaps on television go, Roswell was no Buffy or Dawson's Creek, but it had its devotees. Furthermore, it was the big break for both Shiri Appleby and Katherine Heigl, both of whom are still in TV 20 years after Roswell premiered in 1999. Now, the reboot business has found Roswell — now called Roswell, New Mexico in its new form on the CW. (Both are based on the Melinda Metz book series Roswell High.)

You'll find a lot of 2018 films more loved by critics than Green Book and Bohemian Rhapsody, but both have found enthusiastic audiences. On Sunday night, they were the big winners in film at the Golden Globes, in a ceremony that dragged 20 minutes past its scheduled time and occasionally felt as if it was rushing through a list of awards and trying desperately to get winners to wrap it up.

If you've always wondered what a sing-off between the Phillie Phanatic and Goofy from Disneyland would look like, The Masked Singer is about as close as you're going to get. It premiered on Fox on Wednesday night, and the network would love to see it burn brightly, even though the high (like, extremely high) concept suggests it might burn rather briefly.

Are the Golden Globes an awards milestone that sometimes suggests where the season might be going? A genuine opportunity to recognize a fresher batch of shows and films than sometimes dominate the Emmys and Oscars? A boost that has legitimately helped some good but under-the-radar projects raise their profiles? A special chance to acknowledge talent that doesn't get recognized enough?

"You're bouncing off the atmosphere."

Early in director Damien Chazelle's First Man, this is one of the cautions given to Neil Armstrong (Ryan Gosling) during his pilot training, years before he walked on the moon. That idea of the barrier between Earth and space, the violence of making the journey through it and the almost mystical experience of being on the other side of it forms the spine of the film.

On Sunday's CBS Sunday Morning, Ted Koppel reminisced about the many profiles of media giant Ted Turner that have aired on the network, beginning all the way back in the 1970s, when he hadn't started CNN but had bought Atlanta's baseball and basketball teams. Now, about to turn 80, Turner told Koppel about his diagnosis of Lewy body dementia.

Rarely has the opening of an awards show felt as inauspicious as the first 10 minutes or so of Monday night's Emmy Awards. An opening number called "We Solved It," making light of the idea that Hollywood's meager progress toward greater diversity constitutes a meaningful resolution to the issue, featured a number of appealing TV personalities: Saturday Night Live's Kenan Thompson and Kate McKinnon, Tituss Burgess of The Unbreakable Kimmy Schmidt, Kristen Bell of The Good Place, RuPaul, Sterling K. Brown of This Is Us, and Ricky Martin.

Well, it's safe to say Netflix giveth and Netflix taketh away.

Only a week after the Grand Takething that was Insatiable, the streamer brings along To All The Boys I've Loved Before, a fizzy and endlessly charming adaptation of Jenny Han's YA romantic comedy novel.

A new film about Robin Williams begins with his appearance on Inside the Actors Studio with James Lipton. Lipton says: "How do you explain the mental reflexes that you deploy with such awesome speed? Are you thinking faster than the rest of us? What the hell is going on?" Williams first makes a goggle-eyed face, but then he falls over sideways, like an embarrassed kid, curling up and cackling. And then, of course, he does precisely the thing Lipton is asking about: a flurry of movements, voices, bits, fragments of thoughts flying by — fragments riffing on his own thinking.

Science fiction writer and provocateur Harlan Ellison, who wrote stories including "Jeffty Is Five," "'Repent, Harlequin!' Said the Ticktockman," and "I Have No Mouth and I Must Scream," died in his sleep at home in Los Angeles at age 84. Like many who write short stories and novellas in genres like speculative fiction, the sweep of his career is evident in his collection of awards: Hugo Awards, Nebula Awards, Edgar Awards and many others.

ABC canceled its lucrative reboot of Roseanne in late May, after star Roseanne Barr published a tweet that compared Valerie Jarrett, a former aide to President Barack Obama, to an ape. ABC Entertainment president Channing Dungey called the tweet "abhorrent, repugnant and inconsistent with our values." It looked like the network was willing to take a financial hit and part with a successful property in the name of, of all things, principle.

Not so fast.

The Tony Awards felt a little different this year than they have recently. It was a year without a Hamilton or a Dear Evan Hansen; there was no one original, out-of-nowhere show that came into the Tony Awards as a pop phenomenon. In fact, all four of the four nominated musicals were adaptations of existing properties: SpongeBob SquarePants, Disney's Frozen and the non-musical films Mean Girls and The Band's Visit.

Anthony Bourdain's Twitter profile just says, "Enthusiast."

The chef, food writer, Parts Unknown host, Top Chef judge — the enthusiast — has died from an apparent suicide. He was 61.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

AUDIE CORNISH, HOST:

We've all been there - a darkened theater, the reminder to silence your phones, of course, and then...

(SOUNDBITE OF FILM, "JURASSIC WORLD: FALLEN KINGDOM")

BRYCE DALLAS HOWARD: (As Claire) What is that thing?

CORNISH: ...It's movie trailer time...

Prince Harry, the sixth in line to the British throne, is marrying American actress (and former Suits star) Meghan Markle on Saturday, May 19.

Netflix is doing a volume business in comedy specials. Just since the start of 2017, they've had specials from Trevor Noah, Patton Oswalt, Ricky Gervais, Chris Rock, Dave Chappelle, Maria Bamford, Sarah Silverman, Amy Schumer, Jerry Seinfeld, and Marc Maron — and those are just the ones with the higher profiles.

Comedian Hari Kondabolu made a documentary in 2017 called The Problem With Apu. It's not very long — less than an hour. In it, he interrogates the legacy of Apu, the convenience store owner on The Simpsons voiced by Hank Azaria. Kondabolu talked to other actors and comics who longed for more South Asian representation, only to find that at the time, Apu was just about all there was. And Apu was not only voiced by a white actor, but he was doing what Azaria has acknowledged is a take on Peter Sellers doing an Indian accent in the movie The Party.

There is a fundamental audacity to Jesus Christ Superstar, which was staged as a live "concert" performance on NBC on Sunday night. First released as a concept album in 1970, the work by Andrew Lloyd Webber and Tim Rice not only imagines a very human story behind the final days in the life of Jesus, but it focuses on that story even when it involves ugliness, vanity, and conflict. It posits that Jesus felt not only frustration, but even resentment and ambivalence — not only about his faith, but about his own followers. On the one hand, it's kind of an obvious choice for Easter.

It only stands to reason that the most surprising Oscars might be followed by the least surprising Oscars.

The first season of the FX comedy Atlanta didn't just introduce its characters through a series of memorable vignettes about relationships, music, weed and money. It gradually broke down expectations until it could do almost anything. It could cast a black actor to play Justin Bieber without elaborating. It could turn itself into a half-hour send-up of a low-budget cable talk show. It stretched the boundaries in which it existed, and in the second season, it feels more settled — and not in a bad way.

Pages